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Southwes and the Thin Place

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Southwes and the Thin Place

Katie Westerfield

Southwes and the Thin Place

The creative art of Wes Walker

When did you first become interested in photography? I started shooting in 2011 when I worked at a camp in the mountains in New Mexico during the summer.


Were you self-taught or did you learn in school/from a mentor? My older brother was into photography first and he showed me a lot. My mom is also a painter and we grew up in a very creative environment. But I started to work and figure out my route and style after a few years of on the go learning.

How did you develop your style? I don't know exactly what to call my style. I love western life, and I love the outdoors, and especially love shooting in low light situations and seem to give photos a sense that they might be on another planet. Basically I want to create a world that is different from everything else you might see on social media, but is still real and out there somewhere.

What themes do you explore through your work? Western life, semi-adventure, and minimal landscape. I love strong colors, and it's one of the main things I look for when shooting.

How do you find and choose you subjects or locations? I actually shoot at a lot of the "hot-spots", but try to portray them in a different light. Other times I'm on a road trip and just find something I think looks cool and try to find a way to turn it into art.

What inspires your work? Music and God. I think music and visuals go hand and hand, that's why most favorite movies have good scores, why special memories trigger a certain song. There's a certain spiritualness to nature, when you're in it you can't exactly describe it. But certain places on earth feel "thin." Call it God, call it magic, call it a "thin place" it's a place that we feel is special and inspires us to be more than we currently are.

How do you compose an image? Do you go into the shoot with a specific shot in mind, or does the inspiration strike when you place your model in the setting? Rarely do I have a certain shot in mind. I could almost count on one hand the number of times I've dreamed up a shot, planned it, and then it has actually panned out. It's like expectations are predestined let-downs. When creating pieces that are just for me I go into it with an open eye. The opposite of a commissioned job.

What has been your biggest lesson learned through creating your art? That waiting is everything. I waited and worked through a desk job three years after college. Spending every weekend and all of my time shooting photos where ever I could. Then making the jump to a full-time creative...but then still wasn't getting to shoot the kind of content I wanted because that's not would pay the bills. It's a process, big time.

What do you hope your art says to people? That there's a world full of "thin places" for everyone to go find and make memories at. I hope it conveys emotion, no matter what kind.

Why did you choose your craft (photography)? I actually started as a sketch artist. Drawing anything I saw for years and years. I never really choose it, it chose me haha. I just wanted to do something more, try and capture the beauty and it found its way to me.

If you couldn’t be doing your craft, what would you do instead?
More into music, I play a handful of instruments and have a dozen or so songs I need to try and develop but just not really the time right now. Or flipping houses, a different type of creativity.

Any favorite moments of your career so far? I stood at the base of Cerro Torre at night in March of 2019. I realized just how small I am. How millions of people have stood and seen this mountain. All the stories that have happened and mine is one of them. It was when I realized that I had to start developing my own story and stop doing what everyone else was doing.

Is there a defining moment in your career so far?
Probably taking the jump from working for a company to working for myself. Being able to plan trips whenever I want and take them is incredible and opens a huge door to possibilities that just are not there otherwise.

Is there anything you really enjoy in your craft vs another line of work?
I love editing. But it truly depends on the content. I used to edit for the company I worked for and would've never made it through if The Office wasn't on full blast in the background. Now I edit my own content and it's light jazz that's in the background. 

Biggest pet peeve about the industry? Companies wanting creatives to work for comps and free goods. I get it, I've done it. On both ends. I would save the free stuff and comps for influencers and actually pay your creatives and photographers. They are creating viable content that is going to drive marketing, something most influencers would never begin to do.

Is flannel really always appropriate?
Cabins. With pancakes. To impress the country girl I have a crush on. All appropriate occasions.