Capturing Coffee Culture : One Cortado at a Time

No better way to start a Monday than doing it with a cup of coffee in your hand. Coffee isn't just a bitter brown liquid with caffeine, rather coffee has its own culture and ability to gather community.  Grab yourself a cup however you like it and join me and Laurie Unger as she talks about coffee and photography. 

Christophe: What is your favorite coffee shop?

Laurie: My favorite coffee shop is Zoka @zokacoffeein Kirkland, Washington.  The high ceilings and the light and airy atmosphere is what originally drew me in, but the coffee and sense of community keeps me coming back.

C: What Is your favorite coffee shop drink?

L: A Cortado or a triple espresso is my drink of choice.  I occasionally will drink both if my energy level needs a boost. I really enjoy tasting the flavors of strong coffee so I don’t usually drink coffees that have lots of milk in them.  

C: What makes a good coffee shop?

L: A coffee shop that is flooded with natural light and a good design sense (especially if it has lots of black and white) is always my first choice.  Of course, great coffee is the most obvious, but without good lighting it is a no go.  I live in the Pacific Northwest and there are a lot of grey days and rain. Light and bright is important to me.

C: Why do you love coffee/coffee culture?

L: The coffee culture has brought in a modern sense of community/gathering place. It is more than just drinking coffee; it is an experience wherein in you can enjoy meeting up with friends, conducting business, or just relaxing and taking time to enjoy a cup of coffee any way you might like it.

C: Your favorite coffee culture photo tip?

L: Paying attention to natural light is perhaps the single most important step in taking a good photo. I always try to be aware of what time of day it is, weather conditions and the direction of the light.  Walls, tables and floors are always good backdrops to be aware of so that the picture is interesting.

Laurie captures everyday bright moments that adds a special light to the day. She finds the adventure in the simplicity and joys of everyday life. To follow more of her creative journey, you can find her on Instagram here: @:LAURIEUNGER

It is now time to pour ourselves another cup.

Happy Monday everyone!

The Playlist | 90's Country Throwback

Lets call this an hour of power. Since I've been discussing my 90's childhood all week...it only makes sense that this weeks playlist is dedicated to my favorite country queens of the 90's. There will be a lot of Faith, Martina, and the Le(e)Ann's. I assume it is this way with every generation, but the music of my childhood continues to be my favorite era of music. Sure with jams by N'SYNC and Brit-brit and my obsession with Lance Bass' frosted hair..how is it possible to dedicate this just to country....well all in good time my friend. All in good time. 

From the Vince Gill cassette tapes that littered the truck, to the sweet sounds of Pam Tillis or the subtle sex appeal of Shania the 90's was a roller coaster ride for country music. Long before Taylor was spreading pop sounds all over our steel guitar anthems there was the 90's and the 90's was good.

Throw the stone away...and listen today. 

Coffee Culture Monday || Paige Denkin

It is the start of a new series. Our millennial culture is obsessed with coffee and coffee culture—from the shops to the roasting of the coffee and everything in between—we love it all. Each week we share a cup and a moment with a master of the coffee culture. This week we begin our series with New York City based photographer and coffee lover Paige Denkin. 

We must begin by having a collective moment of silence in memory of Ost Coffee in the East Village. May its memory and marble floors live on forever. 

What/Where is your favorite coffee shop: My favorite small chain is Blue Bottle, their espresso is addictive. But my favorite local shop is currently Ludlow Coffee Supply. Great coffee and atmosphere which is important to me.

What camera do you usually shoot with: My Fuji xt1 is my go to walk around camera. I love the color from the Fuji sensors and the wifi capability is a life saver for social media. Plus it's lightweight and portable for walking around NYC, and gotta love the rangefinder ergonomics of the Fuji lineup.

What is your favorite drink: Dirty chai, hands down. And at least two shots of espresso, I won't get out of bed for anything less. Perfect balance of robust earthy espresso and sweet/spicy chai flavoring. If it's not available on the menu, a good strong latte is my next choice. The vanilla bourbon latte at Ludlow is on point. 

What do you love about coffee culture: I live in a very chaotic city and my early morning coffee stop is necessary for me to not only gain consciousness for the day, but to sit down and have a moment to myself, sans distractions from my home. I can organize my thoughts and enjoy the soft morning light during the uncommon slow New York morning moments. I crave it.

Please give us a coffee shop photo tip: morning window light is your best friend. I have difficulties balancing the tungsten lighting common is cafes, and the beautiful natural light. I tend to sit and stage all my images next to windows, but those tend to be the first seats to go. I've been known to wait outside a coffee shop before they open to secure the best spot. And my favorite general tip to give.. watch your corners! If you cut off objects, make it intentional or your viewer will get stuck in the tension spots. It can ruin your whole image.

What city has the best coffee: I'm biased to New York, it's where I do most of my coffee exploration. I've had some great cups in LA from places like Black Top or Verve and my favorite southern spot.. Bandit Coffee Co in St. Petersburg, FL. But the little NY gems are still closest to my heart.

What makes a good coffee shop: Step one, good coffee and educated baristas. There's nothing worse than a bitter espresso and an even more bitter barista. Rude workers are my biggest turn off, even if the cafe has perfect natural light... which is step two for a great shop: the atmosphere. Must be inviting with multiple places to sit by window light. Doesn't hurt to have well designed and complimentary tables, cups, saucers, plants, textured walls and flooring. The more elements I can create with, the better chance I'll be back to try more. Concrete floors are my favorite, the texture and the drop off from the light hitting the table tops always make for perfectly moody images.

— @_goinghome

Cole Kiburz and a Very Troubled Child

'After carrying this beautiful Wes Anderson-inspired bag throughout my travels to India, I’ve had a tough time setting it down. Recently, I packed the bag with supplies ranging from camera gear to a woven wool blanket and brought it along on an excursion to the Grand Canyon. I’m one that tries to shy away from rampant materialism, choosing rather to curate a few beloved items that have enough personality to become a part of the story themselves. I like to imagine this Savanah No. 4 bag by @verytroubledchild as an heirloom down the road, after it’s and my travel days are done. Scars earned, skin and leather worn, a million tales to tell within our confines.'

– Cole Kiburz, Photographer.
@coleplay

Undress to Impress || Related Garments

Last week Heath, Trey, and I went out into the woods of Kentucky to shoot some images of Related Garments underwear and socks. After shooting was complete I asked the folks at Related Garments to tell us a bit more about the brand...

David and Mike Appel were prone to fighting over almost anything as kids, even the unique underwear their mom would bring home from the department store. Looking back, it was this very underwear that gave the brothers the infinite confidence of superheroes as they’d spend countless hours running around the house and yard. Fast-forward years later and the brothers had a revelation: the women in their lives were always giving them raving compliments on their refined taste in underwear. As they set out to disrupt the clothing industry they found a very common theme: when women were asked, “What is the one thing you’d change about your man?” their overwhelming response was, “his underwear!”.

Time after time, when faced with the chance to change one thing about their guy, women continued to say they would kick those ratty, mix-matched undies to the curb. Time to make a change. RLTD spent years sourcing the best fabrics and most responsible manufactures in order to get a quality and affordable product to our customers. Our production partner is certified by the Worldwide Responsible Accredited Production (WRAP) dedicated to promoting safe, lawful, humane and ethical manufacturing. Related was built on the belief that too many men are ignoring a quick and effortless way to improve their style: upgrading their underwear.

By presenting guys with simple, coordinated, and comfortable options, David and Mike have made it easy to ditch your gross, old underwear and put on a more refined set of undergarments.

For David and Mike, Related is about much more than just introducing men to a new way of thinking about style, it is a vehicle for raising awareness around some of the biggest health challenges facing men today. This includes working with The Movember Foundation to “change the face of Men’s Health” through combating various cancers such as prostate cancer.

— relatedgarments.com

Nature's Kindle | Meet the Maker

When most students are trying to make it through college, they get a job waiting tables, but because he was already burning a candle at both ends that didn't work for Diosdado Velasquez. When his hectic college days started to make money tight, he started making candles. That small idea because a small venture in time, and eventually Nature's Kindle was formed.

How did you start Nature's Kindle?

Nature’s Kindle began as a crazy side hustle during college with an impossible internship schedule and the need to pay my bills.  I was looking for a way to get by but was unable to have a typical “college” job, so I decided to hone in on my entrepreneurial spirit and go for it.  

Who taught you to create candles and fragrances, or were you self-taught?

I started Nature’s Kindle buying and reselling candles that I felt had scents inspired by nature, but truly didn’t own the brand until I started developing my own products and learned how to make them by hand.  I did some research and found a class, where I learned the basics of candle making. That is also when I learned about soy candles and the natural benefits of working with soy wax.  From there, I started blending fragrances and developed our signature scent Woodlands. 

What was the first product you made and how was it received?

The first candles we ever made were heart shaped candles for Valentine’s day.  It was our first show and we went above and beyond for what we thought would be “popular” which was the total opposite of who we are.  That was a huge learning lesson for us to be ourselves.  I literally sold 1 candle and decided from then on to go with my gut and properly brand my business to truly represent who I am.

Did you know you would start your own brand, if not what spurred it?

When I first started making candles I had no idea that I would start my own brand.  Once I knew I had a product that customers started coming back for, my wife and I had a heart to heart about what our goals were.  We wrote down what was important to us and how we felt our brand should be represented, and Nature’s Kindle was born.  As we are always inspired by nature, we felt we should always have scents inspired by nature and we took it from there!

How do you get ideas for new products & photo shoots?

We have a few product ideas lined up for the upcoming year that are in line for Nature’s Kindle.  We’ve thrown around a lot of different ideas but we always come back to who we are and what we need to continue representing.  Keep it simple.  Our photo shoots are usually in house and collaborative with our awesome photographer, lots of natural light, and based around nature inspired home décor.

What are your inspirations?

My wife and I inspire each other.  Our business inspirations are almost always on a road trip to the mountains, hiking and talking, or late nights at the warehouse after about 10 cups of coffee.  As long as we are together we are inspired.

How do your hobbies influence what you make?

We love hiking, backpacking, camping, and just generally hanging out outside.  During our adventures we love to dream big and loud and figure out the next scent or product we can start working on.

What has been your biggest challenge?  

My biggest challenge was taking the leap of faith to take this on full time in 2016.  While working full time and having a steady income I was able to play it safe.  Both Nature’s Kindle and my previous job required full time attention so with the moral support of my wife I took the route that allowed me to live my dream of being an entrepreneur.

What's been your best advice you've been given?

The best advice I had been given was to chase your dream and give it all you have to make them come true. 

 What's your favorite thing about sharing Nature's Kindle with others?

My favorite thing about sharing my product is seeing the reaction of when they pick up and smell our candles.  Scent is a huge memory trigger for most people, so to hear about my customers memories when they experience our candles really makes my day.  I love hearing feedback from my customers and as we grow I hope to share more of our story and journey with others and inspire more people to experience nature as well.

Designs from Upstate: Meet Wolf Jaw Press

We love upstate New York! between Earth Angels, Upstate Stock, and now Wolf Jaw Press we are itching for a visit! Recently we sat down with Alicia Burnett, the owner of Wolf Jaw Press for a brief chat about what she does, why she is a maker and why you should support American made. 

FOLK: Hi! Please introduce yourself.

WOLF JAW PRESS: I’m Alicia Burnett, and I am a designer, artist, and all around maker. I’m also the sole proprietor of Wolf Jaw Press, a small independent printmaking studio that produces fine art screen prints inspired by the beauty of the natural world.

Where in the world are you located? 

Right now my studio and I are located in the northern Hudson Valley region of New York State. I’m really happy living and working here. I think it’s a great location for makers like me that love nature and feel more comfortable living in the country versus living in a city. The countryside and farmlands of Upstate New York are a beautiful place to live; it can be quite rural, but it’s not so rural that I feel isolated and disconnected to the surrounding makers and local arts communities. I love the fact I’m surrounded by serene farmland and plenty of open space while still being close enough to New York City, Hudson, and Albany to be physically involved the art communities of those cities. 

Why are you a maker?

I am a maker because it feels like the most authentic and natural way for me to live my life and make a living for myself. I am a maker because for as long as I can remember, I have had an insatiable compulsion to create. It’s just something that is in my DNA I guess. 

What do you make?

Through my studio, Wolf Jaw Press, I make limited edition screen prints. 

How long have you been a maker?

While I’ve always identified as being a creative, artistic individual with a strong desire to make and create, professionally, I haven’t been a maker for that long. I graduated with my MFA from Pratt Institute in 2015, and shorty afterwards I established Wolf Jaw Press. I’ve been a professional maker for less than year! Establishing my own studio and business has been quite the process, but putting in the long hours and hard work has been so worth it. Everyday I learn something new, and seeing my studio slowly but surely grow and flourish gives me an indescribable sense of satisfaction. 

Why did you decide on what you do?

It took me a long time to find myself artistically. I attended the Rhode Island School of Design where I spent most of my time as an undergraduate student trying to find a medium that felt comfortable for me. I watched so many of my friends as freshman and sophomores immediately gravitate towards a specific major, and then to a specific medium or process. Meanwhile, I felt like I was interested in too many things. I wanted to do any try everything, but nothing I artistically experimented with felt right. 

It wasn’t until the tail end of my junior year that I had a moment of clarity. On a whim, I decided to take a screen printing class with RISD’s printmaking department during the spring semester of my junior year. Within weeks I was completely in love with the screen printing process, but it still took me a few years to find the courage to establish my own screen printing studio and business.

The catalyst that finally pushed me to take the leap of faith and start my own studio were the repeated failures I had at trying to break into the corporate world of design. After my graduation from RISD with my BFA, and then from Pratt my MFA, I had interview after interview with companies and design firms, but it seemed that no one wanted to hire me. In hindsight, these “failures” in getting hired, while discouraging and frustrating at the time, pushed me to realize that maybe I should try to open my own studio and be self employed.

Favorite part about being a maker?

There is so much I love about being a maker! In short, I love the freedom and control it gives me in my personal and professional life. While being self employed undoubtedly comes with an expected level of uncertainly and stress, I have been able to experience a level of freedom that is both liberating and exhilarating. By being a maker, I get to do what I love everyday and I get to be my own boss. I decided what I want to make and when I want to make it, I create my own hours, I decide what projects and collaborations I want to work on, and I get to decide how and in what direction I want my business to grow. 

I also love that each day always hold something new and different. I could never have a job where I do the same thing everyday sitting at a desk. As a maker and a self employed artist, I get to first and foremost create the art that I love to make, but I also get to explore and learn about financial management, business strategies, legal procedures, accounting, and marketing. I’m learning and exploring so much. I find that my days bouncing between slinging ink in the studio, compiling and analyzing finical reports hunched over my laptop, or researching small business growth strategies are engaging and deeply rewarding. 

Why support makers?

When you shop for items made by artisans and makers, you can expect receive high quality goods crated with care while your dollars contribute to and strengthening a local economy. By supporting makers, you are also helping support someone’s passion. We makers care so deeply and passionately about what we do, and through buying our goods you enable us to make a living off of our authentic passion for creating. 

— Wolf Jaw Press

Kelsey Wallace and her Paisley Pig

 I realized I was traveling the world shooting and meeting makers and small business owners...all while never paying nearly enough attention to downtown Beaver Dam. When I found out Kelsey was opening a shop in my old building...I knew it was the perfect place to start. The Paisley Pig opens tomorrow! I sat down with Kelsey this week and asked a few questions about opening a store in a small town, who inspires her, and the idea of returning to her hometown. 

Questions and Answers:

Why did you want to open a store?

• Upon graduating from OCHS, I moved to Bowling Green to attend WKU. I found myself spending every free afternoon in Downtown Bowling Green at the Square. I found so much joy strolling in and out of their shops because it was a convenience I had never been around. Living in Ohio County my whole life I didn't have the chance to walk out my front door and be two minutes from a contemporary clothing store, it was in those days window shopping on The Square that Paisley Pig Boutique began to form.

Why did you want to open Paisley Pig in a small town?

• I chose to open Paisley Pig Boutique in a small town because so many times small town people are forced to go outside of their county to find trendy clothing. I so vividly remember coming home from school the day before a big event to my mom loading us kids up to make a quick trip to Owensboro for a new dress. Paisley Pig Boutique hopes to bust the myth that you can only find cute clothes in big cities.

Why is it important to support small towns and small businesses?

• Small towns are a snapshot into the past. In a world that is ever changing and at a high speed pace, small towns are a break from reality. Small towns still hold on to the roots and values in which our country was founded upon, letting small towns go would let the heart of America go. By supporting small town businesses you are keeping rural America alive and thriving.

What are you most excited to carry?

• Paisley Pig Boutique will carry women's sizes S- 3XL, children & men's clothing. Along with popular boutique brands Paisley Pig will feature items from Shop Local KY, Matilda Jane and Southern Point Co. Shoes and accessories will also be available. I am most excited about carrying "Mary & Milvie" Jewelry, because the jewelry is locally made by a team of sister entrepreneurs at ages 9 and 13.

What do you see being your biggest asset?

• My biggest asset is easily my family. Each and everyone of them have put their own touch on the store from building displays to steaming clothes, Paisley Pig Boutique is made possible by them.

What do you see as being your biggest hurdle?

• I feel my biggest hurdle is changing the mindset of community members from believing they have to drive out of town for cute and affordable clothing.

What/who inspires what you're doing?

• I am most inspired by Joanna Gaines, not only because she is a successful business woman in many different areas but because even though she is successful she still remains humble and gives all her glory to God.

Paisley Pig Boutique can be found on Facebook @paisleypigboutiqueoc & on Instagram @paisleypig_oc.

Beautiful Vulnerability: An Interview with Ann Marie Amick

Ann Marie Amick is a photographer and painter based in Brooklyn. Her curls are full of secrets and she was able to share a few about her craft with us. This brilliant artist takes photographs that each one of us can relate with. While you read about her development and exploration as a photographer, ponder on her art and see the ways in which you can connect with her photos. 

Christophe: When did you first become interested in photography?

Ann Marie: I have found myself interested in photography throughout my entire life. I grew up around cameras and photography, due to my father's love of both. The sound of a Polaroid camera shutter is a constant memory-stirrer for me. However, when I was 19 I found myself more curious about photography and sought out my father's advice regarding how to get started. He pulled out his 1976 Olympus OM-10, ran me through the basics of exposure, aperture, and the rule of thirds, and sent me on my way. That's where my love affair with film began, which eventually led to me pursuing photography more passionately.  

She always conveyed the importance that regardless of if someone else has conveyed this story via camera, no one has told it in my own voice, and it's a voice worth being heard. Over time I have learned different aspects from photography from fellow photographers, and I consider photography to be an ongoing creative adventure where I'm constantly learning new things. 

C: Were you self-taught or did you learn in school/from a mentor?

A: A collection of people assisted me with my photography knowledge. My father led me through my first year of learning 35mm film, understanding the basics of photography and finding what inspired me. A very dear friend, whom I consider to be my mentor, led me into my next stage of learning, which included understanding what I wanted to convey with photography. She taught me the importance of telling a story, but making the story my own.

C: How did you develop your style?

A: I developed my style through a great amount of trial and error. If I was curious about something, I would attempt to photograph it. I essentially hold the majority of my creative ideas with an open hand, i.e., I don't get too attached to ideas. If I have a plan for a shoot but I find my creativity leading me in another direction, I'll go with it. This is how I finally found myself working on form studies and photographing the nude form. Curiosity led me to something that I developed a great passion for photographing. I am continually seeking to challenge myself with different aspects of learning photography and how to push myself forward, so I feel that my style will continue to grow and change as time goes on.

C: What themes do you explore through your work?

A: I'm passionate about exploring connections, vulnerability and sexuality within my work. I choose to photograph nudes because it inherently either connects a person to an image or offends a person.

Either way, I have found that it causes a person to think about the image set before them. I have always said that if you hate the work I create, I've at least made you think enough to decide that you dislike it. In thinking about it, you've connected to it in some way, whether it is a positive or negative connection. I always enjoy exploring both subtle and overt sexuality within my work. Within the last year I have had the opportunity to study and photograph the male form more than previously in my photography career, which has brought about a great deal of learning and challenges.

I've seen an array of different responses to my work now that I've included the male form as well, and it's been interesting to see the change in people's approach to my work. 

C: How do you find and choose you subjects or locations?

A: When I initially began to photograph the nude form, I would ask any friend that was willing to sit for me. As I began to study the human form more and more, I began to search for different types of bodies and different physical qualities that would stand out within a photograph. The majority of subjects I photograph I've met through fellow artists or models, however recently I've been working with a number of models whom have reached out to me upon discovering my work via my website or Instagram. 

C: What inspires your work?

A: I have always said that individuals and their stories inspire the work that I create. I prefer portraits that subjects along with the general public can relate to. I prefer a casual atmosphere where I'm working alongside my subjects and models and the whole process feels more like a collaboration than anything else. I like to create portraits where the subject sees themselves within the photo, rather than the portrayal of something outside of themselves. The human form in and of itself is my biggest inspiration. Every single human body is different, moves different and has a different story to tell. The male form is wildly different from the female form in the realm of muscle structures, movement and lines. The challenge of using the human body to tell a story through movement that is both relatable and inspiring continues to be one of my main goals for creating. 

C: How do you compose an image? Do you go into the shoot with a specific shot in mind, or does the inspiration strike when you place your model in the setting?

A: When I initially meet with a model in order to discuss a shoot, I always say that I hold all of my shoots with an "open hand." I approach the majority of my shoots with an outline and an idea of specifics shots that I would like to get. However, if the vibe of the shoot moves in a different direction or I'm feeling inspired, I really enjoy following any creative leads that I feel. I find that this kind of organic yet still organized creativity is both wildly enjoyable and creates magical things.

C: What has been your biggest lesson learned through creating your art?

A: The most important lesson that I've learned through creating so far is to trust my intuition and take chances. I've learned that even when I take a chance creatively and it doesn't work out the way I hoped it would, something was learned from the experience. I've had a few shoots which I've considered failures - even the negative emotions associated with it were a healthy reminder that things don't always work out, but it should not deter me from continuing to create. On the other hand, I've taken creative chances and created images that were not even something I intended to, and in these situations I've found even more inspiration.   

C: What do you hope your art says to people?

A: I want to create photography that people can relate to. I choose to continue to photograph the nude form because I've found that no matter what people can always relate to the nude form on some level, even if it happens to be in a negative capacity. I want people to be intrigued by the human form, to take a second glance and to ask questions. My favorite portraits continue to be the ones of a slightly ambiguous nature, where people have stated that they're not quite sure what they're looking at. I want to continually create art that people can both relate to and question over time. 

It is easy to simply like or dislike something without ever figuring out your reasoning. Ann Marie's art allows for an inner dialogue to meditate emotions and thoughts, whether positive or negative. Humans either connect with vulnerability or push it away; art creates a safe place for exploring the depths of ourselves.  

See more of Ann Marie's curls and art at her website and Instagram: @am_amick

WILD + HABIT

THE INSATIABLE PURSUIT OF CREATING TANGIBLE BEAUTY FROM WILDERNESS // SEEKING MAGIC // FOSTERING SENTIMENT. 

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Recently I sat down with the folks behind lifestyle shop and brand Wild Habit in Oceanside, California to learn more about their brand, their mission, and their love of nature. We also learned they plant a tree in Tahoe National Forest for every purchase in their store!

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Who are you?

We are makers. We are best friends. We are stylists, artists, consultants, photographers, and collectors. We are wanderers, shakers, and movers with roots in to two magnificent coasts. Both Danielle Quigley and Sue Fan grew with the trees in the eastern deciduous forests. It was there we found art, meaning, a lot of poison ivy, and our insatiable pursuit for all things beautiful. We met over ten years ago chasing ice and adventure in Antarctica and haven't slowed since. We've shifted our focus from our full time photography jobs to pursue our greatest passions together in the amazing state of California: To create, to forage and explore, to seek and share.

What is your business?

We wander and forage in search of natural materials. We collaborate and create handmade products and installations from our found, natural materials. Staying true to natural beauty and to our craft, we are impulsive in gathering (picking up anything we find interesting) and deliberate in our execution (finding the best way to show of the inherent beauty of the material). We illuminate birch bark, carve bones, wear feathers and stones. Our WILD HABIT keeps us exploring & creating - from our back woods to the beach to the mountains and world-wild. Making beauty from nature is what do and what we love - from jewelry to lighting, wall art to table art.

Why are you a maker?

We want to bring the beauty of the earth into every heart and home. The more beauty we can share from the earth, and the more we stress the importance of preserving Earth's natural beauty (by planting trees, by sponsoring beach clean ups, by donating a percentage of proceeds to great organizations), we hope to make a small difference in how people see, feel, and shop.

Why should we support small makers?

We are real people. We should support those who live with the land, those who work to make it better, those who farm, and build, and create, those who work hard daily to keep craftsmanship alive, those who work to produce beautiful, thoughtful, and real wares, and who have amazing stories to share. Supporting small makers is the greatest step towards reconvening with the earth and people, and seeing what it truly means to be made with love.

Why did you start your business?

We want to be a part of a community that consists of artists and makers and lovers and thinkers and doers.

What inspires you?

Definitely the great outdoors. It's a very wild habit.

— www.wildhabit.com

Lilac Sugar

Every morning should begin with tea. Festive teas are the best. This lilac sugar is the perfect addition to your mornings. As lilac comes into season why not ensure it'll last all year long. By simply preserving the gorgeous floral flavors of lilac in sugar it infuses the sugar with the most wonderful flavor. You'll never want to return to basic table sugar again. 

Ingredients:

Berry or Fine Sugar: if super fine sugar isn't available throw your regular sugar into a food processor.

Lilac Blooms: for a quart jar I used around a cup of blooms.

An Airtight Container

Simply alternate layers of blooms and sugar until you have either filled your jar. Once complete put the lid on the jar and shake until well mixed. Shake once a day for about a week to make sure the flowers dry evenly. 

After one week strain the sugar to remove the blooms. Store in airtight container. 

Propelled by Passion: An Interview with Ricardo Bouyett

'Live Authentic' rings true in the life of Ricardo Bouyett. We had the absolute privilege and honor of having a raw, honest interview with him. Embracing vulnerability, Ricardo shares his painful, yet hope-filled journey with us. His career as a photographer & filmmaker go hand in hand with the trauma that he has gone through and his quest for healing. Read below with an open heart and mind; there is a lesson to be learned for all of us. 

Christophe: When did you first become interested in photography?

Ricardo: I first got into photography when I was in high school and my parents gave me a Canon Rebel as a gift. I only ever played around with it a handful of times. It wasn’t until my second semester as a freshman in college that I started taking photography seriously. I had just figured out that I was gay and I was in this weird semi-romantic relationship with a straight boy who lived in my dorm and he had called me the devil for seducing him into cuddling with me for several weeks and he dropped out of school. I was trying to process this situation along with a lot of my own questions in regards to my sexuality and identity and photography seemed like such an easy way to both distract myself and find myself. After class I would go out and shoot with friends, practice, teach myself certain things I didn’t really know.

C: Were you self-taught or did you learn in school/from a mentor?

R: I started trying out different digital techniques, coloring, and ideas to emulate some of my favorite artists. I decided to transfer to Columbia College Chicago so I could have a more stimulating environment as well as the opportunity to make some worthwhile connections and elevate my education in the arts. From the time that I applied for the transfer to my first semester at Columbia, I started my 365 project and began learning through trial and error. By the time I got to Columbia, I had been a little under halfway finished with my first major body of work. But once I was in that academic environment I started questioning more, challenging myself more and really trying to figure out what my visual voice was trying to say and what I wanted my images to be about. 

C: How did you develop your style?

R: My 365 project played a huge role in my development as a photographer. It helped shape my technique, my attention to detail, and make sense of my emotional palette. Unfortunately, in January of 2014 I was raped and that event alone took my art and flipped it on its head and blasted it into an inferno of rage, misery, and ambiguity. I didn’t know how to handle what had happened, I was in denial for a while and I could only make sense of my nightmares and of that persistent sensation of having someone inside me through creating more colorful yet pain stricken imagery. Between 2014-2015 my imagery became much more surreal as I kept dissociating from reality just to sort of survive myself and my everyday social obligations. I didn’t understand what happened to me, how it could’ve happened to me, and why it happened to me. I kept blaming myself and during my senior year of college I found the strength and courage to talk about what happened to me in a more direct way in my work. With my series, Dame De Feu, I finally started to openly explore the visual dialogue about rape survivors, but being still new to this social arena, I didn’t quite have the tools to communicate that story effectively. At the same time I was also struggling with my desire to be a photographer. During my last semester of college I realized my true voice and my true passion was in filmmaking. I crowdfunded, directed, wrote, and filmed a short film series called “Lionheart” which helped me explore issues of homophobia, domestic abuse, and rape for the first time. After having created this body of work I started to step away from post-manipulation and surrealist imagery. I felt confident in my nakedness, in the rawness of photography, and saw it fit to move on from the constructed image and onto the raw image. I will never give up coloring the way I do, so I kept that fluently going throughout my work as my style kept changing. Mama doesn’t mess around with her colors. 

In all seriousness, my style matured after this significant milestone. I mean, I raised over 2 thousand dollars and made a film series that altogether lasts about an hour. I felt unstoppable, like I could make any project I could think of. So with that in mind, I created a series called “Color Me” that more directly explored my relationship with depression over the years which later led me to make my short stories collection. That collection had about 18 short photo stories that were about domestic abuse, love, sexuality, and body image. After creating this body of work I was thirsty for another film project and set out to make “Silver Screens”.

 Moving on from the short stories collection to “Silver Screens”, I finally figured out I wanted to talk about the problematic rhetoric in rape culture. “Silver Screens” is a film that focuses on an unstable relationship where sex is used as a weapon and the main character doesn’t ever come to realize that because his therapy session is less than helpful and he finds himself constantly recycling his memories and getting nowhere. While creating this project I got the inspiration to make my most important work to date, “Oh, Bouy”. The project is a collection of volumes that help me navigate and explore rape culture through different art mediums.

While creating this project I got the inspiration to make my most important work to date, “Oh, Bouy”. The project is a collection of volumes that help me navigate and explore rape culture through different art mediums. 

My main focus with “Oh, Bouy” is to talk about the need to hold men accountable for how we sustain a culture that objectifies women, humiliates and ostracizes effeminate men, and blames victims of abuse instead of reprimanding the abusers. My style has definitely changed between 2013 to 2016 in that it’s much more direct now and carries an emotional weight that is rooted in reality as opposed to fantasy. 

C: What themes do you explore through your work?

R: In my work I explore sexuality, spirituality, and identity and how those correlate and fluctuate under certain given circumstances. My main focus in my work currently is creating stories that talk about rape survivors and navigates the complexity and fragility of the male psyche. 

C: How do you find and choose you subjects or locations?

R:When I was a student at Columbia, I relied heavily on word of mouth to find models and actors to work with. I had a website ever since I started going to school there so it was easy for other students to google me and find out if I was worth working with or not. As far as locations go, I’m very lucky in how I stumble onto special locations, especially back in Illinois. Normally I would go adventuring with friends in the suburbs or in the city and I’d always start with one point of interest and from there I’d make it up as I went along. 

C: What inspires your work?

R: Emotions drive my work to its core. Put me in a room with speakers blasting emotional, sexual, or neurotic music and I’ll have a full body of work ready on your desk the next morning. I can’t explain it, sometimes I lose myself to this other voice in my head that takes over and when I’m shooting, directing, writing, or editing, I almost always lose myself to my surroundings and to the people around me and I’ll find myself waking up hours later not remembering how I made what I made. Other times I have a moodboard, a concept, and then an emotion and then I go off script once I get there. 

C: How do you compose an image? Do you go into the shoot with a specific shot in mind, or does the inspiration strike when you place your model in the setting?

R: It honestly depends on the shoot and it depends on the project. If I’m just exploring with friends or new models, I follow my instincts and let my personal relationship with the subject inform my creative decisions. If it’s a film project, I have a script, a storyboard, and 20 pages of notes on my phone with different scenarios to explore. I almost never shoot something without first brainstorming 100 different ways it could turn out. If I’m not set on making something, I don’t make it. I always think to myself, “Someone else somewhere in the world has already made this image or is making this image right now, why do I have to make it? Why would I want to make it? How does it fit to my mission as an artist?” 
If I can’t answer those questions and convince myself then I don’t take the shot. 

C:What has been your biggest lesson learned through creating your art?   

R: I think the biggest lesson I’ve learned is to stop comparing myself to other people and other artists. Everyone is on their own path. 

C: What do you hope your art says to people?

R: I hope it says “love yourself, love others, and most of all, don’t be rude to people just because you don’t understand what they’ve been through.”

C: Why did you choose your craft?

R: I chose it, along with filmmaking, because it was the best and most effective way for me to heal from traumatic events as well as create and share stories that I’m passionate about. 

C: How hard was it to become profitable at it? 

R: Not a lot of platforms or galleries want to pay an artist who in their eyes doesn’t make the kind of work that fits their audience reach. Do people love the work on social media? Yeah, I’ve gotten a lot of positive responses, but a lot of the time I still get ignored, rejected, and pushed to the side by art institutions and major art publications because my work makes them uncomfortable. Rape survivor stories aren’t the most popular in the photo and film world. Especially if they don’t depict the graphic violence of rape. My work talks about male violence, how damaging male sexuality has been in an overtly patriarchal society, and that just doesn’t sit well with a lot of people. And I understand that, but the unwillingness for art platforms of any kind to get involved in issues about domestic violence and rape makes it that much harder for conversations about the ramifications of men’s violence to even take place. Everyone jumps on reporting on the drama of rape and the graphic nature of the violence, but hardly anyone furthers the conversation about the life of survivors after the fact. I’m not profitable at making my photos, I’m only passionate and starving. 

C: Any suggestions to newcomers to the field?

R: Do what you want to do and don’t take no for answer. It can be very discouraging coming into a field that is so saturated with talent but that shouldn’t deter you from doing what you want to do. Everyone has something distinct they bring to the table, so why can’t you? 

C: What would you do differently if you could start from scratch?

R: I would’ve gone to school for filmmaking, not photography. 

C: If you couldn’t be doing your craft, what would you do instead?

R: I would be a singer, or maybe a vocal performance instructor. But I prefer doing this so I’m glad I can still do it.

C: Any favorite moments of your career so far?

R: My favorite moment was when I made “Lionheart”. The rush of crowdfunding and the success of finishing the project changed my life drastically. Nothing has ever made me so confident and newly passionate. 

C: Is there a defining moment in your career?

R: The most defining moment in my career so far has been creating the different iterations of “Oh, Bouy” . While “Lionheart” may have given me a new found confidence in filmmaking, “Oh, Bouy” has catapulted me into a new framework of thinking and execution and for that I’m grateful to everyone on the creative teams. But aside from artistry, the project has definitely made me less afraid to stand up and advocate for social issues that I care about deeply.

C: Biggest pet peeve about the industry?

R: The industry only cares about who you know not how much you know, and I think that’s the reason why a lot of mediocre publications, production companies, and photographers have an unfair advantage over underdogs who are climbing up a steep hill without any lifelines to help them up. I think it’s a shame, I’ve met a lot of capable artists who deserve a lot more than what they’re given. I don’t think popularity is a proper measure of someone’s ability.  

R: I like that I don’t have to answer to anyone, that I can collaborate with people who respect my opinion and want to work with me and I like that I get to involve other people who can work out their own therapeutic needs with my work.

C: Is there anything you really enjoy in your craft vs another line of work?

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Ricardo's work is more than mere photos and videos. His art has a message that needs to be heard and talked about. Let art open the door for dialogue and a greater level of honesty in our lives.  No matter the outlet, we all have a creative voice with a message that can create such a difference in our world. 

You can find more of his work on his website and Instagram. 

Meet Bowen Outdoors

As part of our series of maker spotlights, we recently teamed up with Zack of Bowen Outdoors to talk about how he turned his passion for the outdoors into a business. For Zack, owning her own company is a way that she can give back to the causes and programs that matter to him, like nature conservation and camps and training programs that help children experience nature. Read more below to find out how Zack started Bowen Outdoors, and how he's making sure a new generation can enjoy the great outdoors.

How did you get started creating an outdoor brand?

We founded our brand on one mission: to inspire families and children to get out and explore more. During our conversations about our biggest influences, we realized the brand we wanted to create should be founded on two principles: family and exploring. These influences led us to creating a social enterprise driven outdoor brand where we give 10% of all net profits to programs all around the country that provide training, education and camps for children and families to experience the outdoors. 

A lot of our passion comes from relationships with our families. We were both raised as active outdoor children and were heavily influenced by the experiences and lessons a child can learn from being exposed to the outdoors. Having our own kids now we see that the idea of going camping, hiking and exploring outside is starting to fade and with that we think children are losing their sense of adventure, curiosity and wonder.  

Who taught you to start your own brand, or were you self-taught?

We have learned a lot of valuable skills about overall business operations from past experiences in family business and in college. We have learned a lot since starting Bowen Outdoors. Many of the important aspects of creating products, brand image, creative development, etc. were all things we did not know much about. We have had a lot of trial and error and picked up on different skills as we have gone just by trying and doing and asking for help from friends and family. It hasn’t always been perfect, but we have definitely learned a lot along the way.

Did you know you would start your own brand, if not what spurred it?

I have always known I wanted to start something of my own. I come from a long line of entrepreneurs and business owners, so I  think that the drive to create and build upon ideas is somewhat in my blood naturally. I started working for my grandfather’s business when I was 13 years old because the idea of running a business seemed fun and interesting to me. I worked there from 13-20 and as I got older, I would always have people call me the “little boss man” and tell me how I would one day be running the company and I would always just laugh. Although I have always felt fortunate enough to have had the option to work in the family owned businesses, I always wanted it to be in a field that I was passionate about and wanted to pave my own way.

Bowen Outdoors and the idea behind it happened somewhat naturally for us. Getting outside and exploring has always been something I have been passionate about, but growing up in the Midwest I never thought about creating an outdoor brand because I didn't feel that we were in an area that was “outdoorsy” enough. Now that I have started a family of my own and do my best to get my kids to explore all that life has around us, I realized we don't have to always be in the mountains to explore. The opportunity for exploring is all around us.

How do you get ideas for new products & photo shoots?

Bowen Outdoors is focused on providing outdoor lifestyle products and apparel for people who are just as comfortable in the city as they are on the trail. Our product ideas come from trying to inspire and motivate people to live life outside of the cubicle, living room or their cell phone. 

What are your inspirations?

My greatest inspiration overall has been my father. Since I was young, I remember his passion for the outdoors and the part it played in our relationship. My Dad is every part of the word, outdoorsman. Growing up, I lived in a log cabin in the woods, we had a couple of horses, played in the woods and creeks daily, and he participated in all of those things with us. Our vacation every year was in a state park or campground where we always went on hikes and climbed around on rocks. He really taught us about the outdoors and instilled his love for it in us. To this day, my greatest memories with him have involved camping and exploring. Just a few weeks ago, we had one of the best trips I have ever been on in my life and conversations while exploring that I will never forget. He is a tough guy who still loves rock climbing, backpacking, and finding new places to explore.

Outside of the outdoors world, my father is a quiet yet smart and calculated businessman. He is passionate not only for his business, but also for the people working for him. I have always admired the way he has done his best to treat people fairly and respectfully even when it meant less overall profit for the business in the end. The kind of compassion for people that is greater than the desire for money is a rarity in this world and I really look up to him for that.

Overall in life, combining his love for the outdoors and his business knowledge and compassion for people, he is a pretty cool guy. What I am sure most people wouldn’t expect to read is that my Dad is legally blind, and if his eye disease has it’s way, will be completely blind sometime in his life. To see a man who has never stopped rock climbing, walking on narrow trails at the top of a mountain, crawling through caves, and skydiving despite not being able to see is the most inspiring to me. He has never let his sight keep him from living life and laughing and that is one of the things I will always remember most about him. He lived his life to the fullest and didn’t what people thought he should or shouldn't do keep him from truly living.

How do your hobbies influence what you make?

We are family guys, and most of our time is spent with our wife and kids. We try our best to get out with them and teach them about the outdoors, being safe while exploring, and about the incredible things you can find while you are out on an adventure. The best part about being an outdoor brand is that we actually live this life so we are able to take those experiences and work toward creating products that reflect them.

What has been your biggest challenge?  

I would say our biggest challenge has been lack of knowledge. We started this brand on a shoestring budget. I have a wife and three kids under 3 years old at home and the idea of using our savings or getting a loan just didn't seem like the best idea while trying to keep their well-being as a priority. When you make a decision to start a business without a lot of money, things start slower in terms of products available and slower in general. This is something we are navigating; yet trying to keep our priority of family as our main focus. 

What's been your best advice you've been given?

My father once told me, “I am not going to stop living life waiting to die just because I can't see. I am going to live my life to the fullest, doing the activities that make me happy and if I die climbing down a mountain, at least I died doing something I love” It may not have been real advice that he was trying to give, but the impact that the idea of really going for what you want, never settling and taking chances, will stay with me for a lifetime.

What's your favorite thing about sharing your art with others?

The impact it has had on families and children. When we give back to community programs that help support exploration and adventure it's an incredible feeling. Knowing that not only are we providing great gear and apparel, but that we are actively making a difference in people's lives is the best part of what we do. At the end of the day, it doesn't feel like we're running a business - it feels like we're creating something special and something we believe in. BOWENOUTDOORS.COM

Good + Well || Candles + Soaps

Recently I had the pleasure of shooting a series of images for Good + Well Co. Their candles and soaps are truly delightful. 

Shenandoah Skyline Road Trip

As the Summer of '16 winded down, one thing from my to-do list had yet to be fulfilled - a road trip. To where, though? I had been north to Canada; I had been west to the mountains. However, one segment of America I had not yet explored - the South. I have family down in Atlanta and with some free time on my hands, the perfect opportunity lay before me to take a road trip.

I devised a plan to spend about four days and three nights along one of America's most scenic byways - The Shenandoah Skyline drive and the Blue Ridge Parkway, which connect in central Virginia. The first day I spent driving about five hours to stay with a friend near Washington D.C., which was close enough to the real starting point of the journey that I could simply wake up the next morning and begin.

At dawn, I hopped on I-66 West, which was a quick hour ride to Front Royal, VA - the gateway to Shenandoah National Park's north entrance. After receiving a tip from someone familiar with the area, I grabbed a juicy burger at local sensation, Spelunker's. Finally, I was ready to begin.

The Skyline Drive is one of the most amazing roads one can experience. It gently winds back and forth through 105 miles of stunning Virginia wilderness with 75 pull-offs to take in the view (about 65 of which I stopped at.) The 35 MPH speed limit ensures that you're here to take it slow and be in the present. There's simply no rushing through such a beautiful place.

I spent the first day riding along, taking in the pull-out views and photographing the curves and stretches of road. It was pleasantly quiet in the park so I took my time soaking in everything. While there are plenty of hikes and outdoor activities to do in Shenandoah, the Skyline Drive is more or less the park itself. Many national parks are reserved spaces of land that have plenty of loops for circling and exploring. Shenandoah is unique in that the park is linear - only a few state routes intersect the park with options to exit. Otherwise, you're entering on one end and you're coming out on the other end, which encourages one to see its entirety.

I'm generally all for roughing it, but it was a particularly humid week and I desperately needed a shower after driving for so many hours. I made my way to Big Meadows campground, which is a beautiful campground and one of the few I've experienced that have a full range of facilities. The ranger at the registration booth gave me a short list of her favorite campsites at the Big Meadows loop and I took her up on the spacious, yet secluded, A103.

The weather was expected to deteriorate in the coming days, so I wanted to take advantage of what might be the last clear night on my trip. I made my way over to the Lodge to watch a spectacular Virginia sunset and converse with the travelers staying overnight.

When they sky finished its show, I went back to A103 to cook a ravioli dinner on the camp stove. Solo camping can get a bit lonely at times but a meal by a campfire was incredibly calming. Night fell and as the surrounding campers ended their day, mine was just getting started. I grabbed my camera and headed down to the entrance of the campgrounds where its namesake lies - literally a big meadow. I set up my tripod under a moonlit sky and just started shooting. Per usual, the end product was far beyond my initial intentions or expectations...

The next morning, the fog rolled in and I wouldn't see sunlight for days to come. However, that wasn't gonna stop me from continuing my journey and taking advantage of the photo op. I packed up camp, said goodbye to A103 and meandered my way down the rest of the Skyline Drive. I had many days to go and 500 miles of Blue Ridge Parkway to experience. The road trip was just beginning...

To see the rest of Jack Tumen's roadtrip of a life time, check out @jacktumen on Instagram.

Meet Spoon & Hook

I am absolutely smitten with Anneliesse McKee. Her handcrafted wooden pieces are equally utilitarian and pure art. I'm especially loving that she too is from Kentucky. I could go on and on about how amazing each piece is, how incredibly beautiful the packaging is, (she mailed the pieces in the photographs to me in a wooden wine box filled with dried florals and feathers) or how wonderful story is. I however will let her tell you in her own words.

Please introduce yourself

My name is Anneliesse McKee

I live in Asheville, NC and have since 2009.

I hand carve wooden spoons, charcuterie boards, bowls and more from wood I have either cut myself in Waynesville, NC or from reclaimed lumber found. I've had my business for two years now. As far as availability I have my pieces on my own website spoonandhook.com as well as one of my best friends websites bomisch.com. Within town I sell at three different brick and mortars: Villagers, East Fork Pottery, as well as Atomic Furnishings. I am hoping by the end of this year to be opening my own brick and mortar in Asheville.

Why be a maker

I feel that being a maker is so much more than the product itself. It's a lifestyle choice. I live in west Asheville where I have the most beautiful little community of makers from bakers, photographers, painters, home builders, and Brewers. Everyone raises each other to be their best. If they're not using something that could benefit another maker, it isn't even a question that it will find its way to them. There is support and encouragement and growth continuously and for me that's a large part of it. I think in a world like what is happening today, it's incredibly important to be a part of something you truly stand behind and can make better. Supporting any one maker is much more than the product you walk away with. You're receiving a story that you get to continue on writing. I think if we could all live in a way where we surrounded ourselves by things that held meaning and quality then we would buy less, appreciate more and be able to do it in a successful way moving forward in a consumer driven country. I believe it's very similar to our food movement. People love to support their local farms and organic food and the things we surround ourselves with, put on our bodies, and keep around our space are just as important as what we are putting in our bodies.

What is the greatest challenge as a maker

I think my greatest challenge I have had within woodworking continuously feeling like I needed to create every second I was free. This past year was a large lesson in slowing down, stopping to smell the roses, and remembering the reasons why this became such a love to begin with. As far as largest rewards, I think it's when I get an email or letter from someone who tells me their story and how they now own a spoon or board and how it has become a part of their everyday life. I love that!!! I have so many of my grandmothers pieces and to think one day someone's going to possibly say "this piece is about 100 years old and made from a woman named Anneliesse Mckee". Just seems like I'm putting my fingerprint in this big world, even if it's my pinky ha.

What advice would you give to aspiring makers

If I had any advice I could give, I would tell anyone to simply stand behind whatever it is they're doing. I think so many people have such brilliant ideas but the idea of failing is too large to even try. But failing doesn't really exist in certain communities, especially not in Asheville. I would just say to always try. Maybe there's something else you find you love in the process? Maybe you find out how effortless and second nature it seems? Maybe you just find out that it wasn't everything you thought it would be? But that's okay! Just try!

What advice would you give to your former self

If I could give myself any piece of advice to former me, I think I would tell myself to own what I do and just make sure I'm doing it to my best. I did the Highpoint Market for my second year and I had to make 100 pieces in a month and I was so stressed and concerned with making wild and new that I put my core values on the back burner. I was making wooden eye ball spoons and then I realized it was just getting too weird. I would tell myself to just stick to what I know and do it to its best. I would maybe tell myself not to be so hard on myself. I think quick gratitude is a struggle for all and learning patience is easier said than done but this past year was a beautiful example of organically letting things lead me in the direction of my dreams and not to be impatient.

Chocolate Chess Pie

Chocolate Chess Pie

This recipe is so very simple. It is absolutely delicious. It literally takes less than five minutes to mix together. I found the recipe in my aunt's handwritten recipe book from the 1970s.

• 1 1/2 cups sugar

• 2 eggs, slightly beaten

• 1/3 cup cocoa

• 1/4 cup butter

• 1/2 cup evaporated milk

• 1/2 cup coconut

• 1/2 cup pecan pieces

• 1 9” pie shell

Mix all ingredients by hand and pour in pie shell. Bake for 30 min in 400 degree oven. Cool and serve with whipped cream.

Look at Eldin in Iceland | Day Two

Today can be best described as a glimpse into monochromatic Iceland. We started early from Reykjavik and headed south, hitting two waterfalls, Skógafoss the most famous of the two. It is a 200 foot waterfall with a tiny, windy stairway to the top and seagulls nesting within the cliffs. From there, we trekked 4 KM by foot to reach the famous DC3 plane crash site. This site has a really cool really cool story: In 1973 a United States Navy DC plane ran out of fuel and crashed on the black beach at Sólheimasandur, in the South coast of Iceland. Everyone survived, and it turns out that the pilot packed the wrong fuel packet. Following that, we went to the black sand beach to see the basalt columns and caves. I was nearly swallowed by an unsuspecting wave, but managed to dig my boots into the ground and rode the course. After a quick change of clothes, we settled into a tiny log cabin cottage with the view of the mountains and the black sand beach through our front door.

PHOTOGRAPHY BY: ELDIN JASAREVIC